6 00:01:46,439 --> 00:01:48,880 blizu EDG-a je peti studio 7 00:01:48,880 --> 00:01:51,159 album engleskog progresivnog rock benda 8 00:01:51,159 --> 00:01:54,200 Da, objavljen je u rujnu 9 00:01:54,200 --> 00:01:58,560 1972. za Atlantic Records da 10 00:01:58,560 --> 00:02:00,799 vremenski uzastopni glavni vokal John 11 00:02:00,799 --> 00:02:04,159 Anderson osnova Chris Squire bubnjar 12 00:02:04,159 --> 00:02:07,880 Bill Bruford gitarist Steve kako i 13 00:02:07,880 --> 00:02:10,759 klavijaturist Rick Wakeman njihov prethodni 14 00:02:10,759 --> 00:02:13,200 album fragile bio je reklama i 15 00:02:13,200 --> 00:02:15,720 kritički uspjeh i postao njihov 16 00:02:15,720 --> 00:02:18,040 najveći hit u to vrijeme dosegnuvši 17 00:02:18,040 --> 00:02:20,360 broj četiri na američkom Billboardu 18 00:02:20,360 --> 00:02:23,959 karte djelomično zbog snažnog ljuljanja 19 00:02:23,959 --> 00:02:26,760 single called kružni tok koji je stekao 20 00:02:26,760 --> 00:02:29,959 značajan AirPlay kružni tok nije 21 00:02:29,959 --> 00:02:32,040 imati strukturu pjesme onoga što bi moglo biti 22 00:02:32,040 --> 00:02:34,200 smatra se komercijalno 23 00:02:34,200 --> 00:02:38,160 uspješna pjesma, ali ipak je uspjela 24 00:02:38,160 --> 00:02:39,800 ranije u ožujku 25 00:02:39,800 --> 00:02:42,720 1972. da, završili su šest mjeseci 26 00:02:42,720 --> 00:02:46,120 krhku turneju po Velikoj Britaniji i Sjevernoj Americi 27 00:02:46,120 --> 00:02:48,000 a nakon toga bend je rezervirao neke 28 00:02:48,000 --> 00:02:50,800 vrijeme u ad Vision studijima u Londonu do 29 00:02:50,800 --> 00:02:52,239 staviti neke grube tragove za a 30 00:02:52,239 --> 00:02:54,440 naknadni zapis iako neki 31 00:02:54,440 --> 00:02:56,319 razrađeni su i postavljeni aranžmani 32 00:02:56,319 --> 00:02:59,159 na vrpci u vrijeme nijedna od pjesama 33 00:02:59,159 --> 00:03:02,000 bili potpuno razvijeni bend je tada počeo 34 00:03:02,000 --> 00:03:04,319 fokusiranije probe na sveučilištu 35 00:03:04,319 --> 00:03:06,840 Škola plesa Billings u Shepherd'su 36 00:03:06,840 --> 00:03:09,000 grm u svibnju 37 00:03:09,000 --> 00:03:12,560 1972. radi pročišćavanja materijala za nov 38 00:03:12,560 --> 00:03:15,640 album do lipnja te godine da osjetio to 39 00:03:15,640 --> 00:03:17,400 imali su razvijene pjesme za novi 40 00:03:17,400 --> 00:03:19,920 album dovoljno dobro i 41 00:03:19,920 --> 00:03:21,920 vratio se u oglas Vizija za početak 42 00:03:21,920 --> 00:03:24,360 fazi snimanja Eddie ponuda koja je imala 43 00:03:24,360 --> 00:03:26,720 radio s da od vremena u 44 00:03:26,720 --> 00:03:29,439 riječ album dodijeljena je kao zvuk 45 00:03:29,439 --> 00:03:32,720 motor ER i 46 00:03:34,640 --> 00:03:37,640 koproducent blizak 47 00:03:37,640 --> 00:03:40,879 edge Anderson je rekao da je bend upravo 48 00:03:40,879 --> 00:03:43,360 odradio veliku turneju za fragile i bili smo 49 00:03:43,360 --> 00:03:45,959 prilično zadovoljan kako je publika bila 50 00:03:45,959 --> 00:03:47,959 volim dulje komade koje sviramo 51 00:03:47,959 --> 00:03:51,000 Kružni tok uživo trajao je 8 minuta 52 00:03:51,000 --> 00:03:53,599 Starship Trooper imao je devet godina i srce 53 00:03:53,599 --> 00:03:56,480 izlazak sunca je trajao više od 11 minuta 54 00:03:56,480 --> 00:03:59,200 osjećajući se vrlo moćno kao što bismo mogli 55 00:03:59,200 --> 00:04:01,159 bilo što 56 00:04:01,159 --> 00:04:03,239 a također i kao ljubitelj klasike 57 00:04:03,239 --> 00:04:06,120 glazba Anderson je slušao Calusovu 58 00:04:06,120 --> 00:04:08,680 Peta simfonija u ovom trenutku i rekao 59 00:04:08,680 --> 00:04:10,840 da se dugo simfonijsko djelo sastoji 60 00:04:10,840 --> 00:04:13,760 nekoliko pokreta bio je utjecaj u 61 00:04:13,760 --> 00:04:16,440 pisanje novog Granda i 62 00:04:16,440 --> 00:04:19,320 ambicioznu naslovnu pjesmu i tijekom turneje 63 00:04:19,320 --> 00:04:21,639 za krhki album Anderson je bio 64 00:04:21,639 --> 00:04:24,360 čitajući roman pod nazivom sidarthur napisan 65 00:04:24,360 --> 00:04:27,199 njemačkog romanopisca Hermana hesa u kojem 66 00:04:27,199 --> 00:04:29,720 glavni lik po imenu Sidarthur 67 00:04:29,720 --> 00:04:32,280 poduzeo životno duhovno putovanje 68 00:04:32,280 --> 00:04:33,160 od 69 00:04:33,160 --> 00:04:35,560 samootkrivanje nakon života od 70 00:04:35,560 --> 00:04:38,000 iskustva sidarthur na kraju pronađen 71 00:04:38,000 --> 00:04:40,800 mudrost svoje osobno značenje i istinito 72 00:04:40,800 --> 00:04:43,800 duhovno prosvjetljenje Anderson je odlučio 73 00:04:43,800 --> 00:04:46,120 Lagano se oslanjati na konceptualno 74 00:04:46,120 --> 00:04:48,160 tema prosvjetiteljstva i 75 00:04:48,160 --> 00:04:50,680 samootkrivanje iz romana u njegovom 76 00:04:50,680 --> 00:04:52,479 lirski zapisi za pokret 77 00:04:52,479 --> 00:04:55,479 komad blizu ruba i više 78 00:04:55,479 --> 00:04:57,720 crteži iz romana koji se odnose na 79 00:04:57,720 --> 00:05:01,120 slijedila je tema prosvjetiteljstva 80 00:05:01,120 --> 00:05:03,479 naravno pjesma koja se razvila 81 00:05:03,479 --> 00:05:05,759 sastojala se od četiri stavka koja su 82 00:05:05,759 --> 00:05:08,759 sav prostor sa strane 83 00:05:08,759 --> 00:05:11,639 jedno solidno vrijeme 84 00:05:11,639 --> 00:05:14,720 promjena u knjizi Rijeka pomaže saruru 85 00:05:14,720 --> 00:05:17,400 pronaći put do prosvjetljenja Anderson 86 00:05:17,400 --> 00:05:19,919 rekao da te rijeka vodi do oceana 87 00:05:19,919 --> 00:05:22,759 svi te putovi vode Božanskom tako 88 00:05:22,759 --> 00:05:25,520 ideja je bila da smo kao ljudska bića 89 00:05:25,520 --> 00:05:28,199 blizu ruba the edge of 90 00:05:28,199 --> 00:05:31,560 realizacija Steve kako je rekao jedan od mojih 91 00:05:31,560 --> 00:05:34,280 pjesme u to vrijeme imale su liniju blizu 92 00:05:34,280 --> 00:05:36,840 rub dolje uz rijeku koja zapravo 93 00:05:36,840 --> 00:05:39,240 odnosio se na to gdje sam živio pored 94 00:05:39,240 --> 00:05:42,160 the river temps u uvodu mi 95 00:05:42,160 --> 00:05:45,000 čuti kombinaciju klavijatura poput 96 00:05:45,000 --> 00:05:47,440 udaraljke pjev ptica i voda 97 00:05:47,440 --> 00:05:50,600 teče predstavljati prirodni i 98 00:05:50,600 --> 00:05:52,960 duhovno okruženje rijeke i 99 00:05:52,960 --> 00:05:55,520 njegovu okolinu kako je opisano u 100 00:05:55,520 --> 00:05:58,600 roman o sidarthuru u priči The 101 00:05:58,600 --> 00:06:01,199 Rijeka daje život kao sva živa bića 102 00:06:01,199 --> 00:06:04,280 ovisi o vodi, pokazat ću vam malo 103 00:06:04,280 --> 00:06:06,319 snimke iz filma yes songs u ovom 104 00:06:06,319 --> 00:06:09,479 video koji, kao što se možda sjećate, nije 105 00:06:09,479 --> 00:06:12,199 imam izvrsnu kvalitetu zvuka 106 00:06:12,199 --> 00:06:14,360 odlučio upotrijebiti zvuk bolje kvalitete 107 00:06:14,360 --> 00:06:16,880 s albuma pjesama yes i pokušali 108 00:06:16,880 --> 00:06:19,080 za ručnu sinkronizaciju videozapisa i 109 00:06:19,080 --> 00:06:22,479 audio za stvaranje novog kompozita kao 110 00:06:22,479 --> 00:06:24,280 dva su dijela iz različitih 111 00:06:24,280 --> 00:06:26,599 predstave postoji nekoliko manjih 112 00:06:26,599 --> 00:06:29,240 problemi sa sinkronizacijom, ali to je najbolje 113 00:06:29,240 --> 00:06:32,000 Znam i ako ste upoznati s 114 00:06:32,000 --> 00:06:34,680 film da pjesme koje ćete se sjetiti 115 00:06:34,680 --> 00:06:36,960 slike mikroskopskog vodenog života 116 00:06:36,960 --> 00:06:39,960 oblici koji su se tijekom ove pjesme pojavili na 117 00:06:39,960 --> 00:06:42,599 ilustriraju da je rijeka zapravo 118 00:06:42,599 --> 00:06:45,680 vrvi životom na početku knjige 119 00:06:45,680 --> 00:06:48,199 sidarthur odbacuje duhovni svijet 120 00:06:48,199 --> 00:06:50,479 i ulazi u materijalni svijet i za a 121 00:06:50,479 --> 00:06:53,560 dok on vodi bogat život grijeha u 122 00:06:53,560 --> 00:06:56,759 gradu nakon nekog vremena ipak shvaća 123 00:06:56,759 --> 00:06:58,560 vodio je život koji nije 124 00:06:58,560 --> 00:07:01,160 ispunjavajući i onaj koji neće voditi 125 00:07:01,160 --> 00:07:03,919 do Istinskog prosvjetljenja on tada posjećuje 126 00:07:03,919 --> 00:07:06,440 rijeka s velikim osjećajem krivnje sa 127 00:07:06,440 --> 00:07:09,680 namjera da se utopi u 128 00:07:09,680 --> 00:07:12,280 pjesme te se misli podudaraju s 129 00:07:12,280 --> 00:07:15,440 kakofonija poli pločice i poliritmike 130 00:07:15,440 --> 00:07:18,199 kaos ovaj odjeljak razvio se nakon a 131 00:07:18,199 --> 00:07:20,680 Andersonov prijedlog za bend 132 00:07:20,680 --> 00:07:23,560 svirajte improvizirani kaotični Jam u ovome 133 00:07:23,560 --> 00:07:25,919 Bijesna promjena čujemo urlik koji zvuči 134 00:07:25,919 --> 00:07:29,000 i frenetičnu gitaru predvodi Steve kako u 135 00:07:29,000 --> 00:07:32,599 a d harmonijska molska ljestvica na početku a 136 00:07:32,599 --> 00:07:35,960 sporo rastuća osnovna linija Chrisa Squirea 137 00:07:35,960 --> 00:07:38,039 neke agresivne udaraljke 138 00:07:38,039 --> 00:07:41,000 bruford i brzo rastuća tipkovnica 139 00:07:41,000 --> 00:07:45,280 riff Ricka Wakemana 140 00:07:45,430 --> 00:08:10,290 [Glazba] 141 00:08:12,500 --> 00:08:13,590 [Glazba] 142 00:08:13,590 --> 00:08:16,740 [pljesak] 143 00:08:17,060 --> 00:08:23,470 [Glazba] 144 00:08:23,470 --> 00:08:25,960 [pljesak] 145 00:08:25,960 --> 00:08:28,479 sidaru je rečeno da će čuti 146 00:08:28,479 --> 00:08:31,479 mnogo Zvukova kraj rijeke na kojoj stoji 147 00:08:31,479 --> 00:08:34,000 riječna obala gleda u vodu 148 00:08:34,000 --> 00:08:36,880 zatvara oči i namjerava skliznuti 149 00:08:36,880 --> 00:08:39,440 prema smrti, ali odjednom čuje a 150 00:08:39,440 --> 00:08:41,959 sveti zvuk koji je Sonic 151 00:08:41,959 --> 00:08:45,120 prikaz Božanskog svetog 152 00:08:45,120 --> 00:08:47,959 slog budi njegov duh čini ga 153 00:08:47,959 --> 00:08:51,000 shvatiti glupost svojih postupaka 154 00:08:51,000 --> 00:08:53,640 i tjera ga da se povuče u 155 00:08:53,640 --> 00:08:58,120 Sigurnost u romanu The Sound om je 156 00:08:58,120 --> 00:09:01,839 čuo ali u pjesmi čujemo 157 00:09:01,839 --> 00:09:04,910 slog iza kojeg slijedi 158 00:09:04,910 --> 00:09:15,390 [Glazba] 159 00:09:17,520 --> 00:09:21,040 [Glazba] 160 00:09:21,040 --> 00:09:23,610 [pljesak] 161 00:09:23,610 --> 00:09:29,970 [Glazba] 162 00:09:29,970 --> 00:09:30,790 [pljesak] 163 00:09:30,790 --> 00:09:33,880 [Glazba] 164 00:09:37,290 --> 00:09:45,559 [Glazba] 165 00:09:48,480 --> 00:09:49,950 i 166 00:09:49,950 --> 00:09:50,310 [Glazba] 167 00:09:50,310 --> 00:09:53,560 [pljesak] 168 00:09:53,560 --> 00:09:59,030 [Glazba] 169 00:09:59,160 --> 00:10:01,430 [pljesak] 170 00:10:01,430 --> 00:10:11,160 [Glazba] 171 00:10:11,160 --> 00:10:13,870 d 172 00:10:13,870 --> 00:10:15,260 [pljesak] 173 00:10:15,260 --> 00:10:17,410 [Glazba] 174 00:10:17,410 --> 00:10:18,610 [pljesak] 175 00:10:18,610 --> 00:10:27,860 [Glazba] 176 00:10:33,320 --> 00:10:34,910 n 177 00:10:34,910 --> 00:10:37,070 [pljesak] 178 00:10:37,070 --> 00:10:37,250 [Glazba] 179 00:10:37,250 --> 00:10:39,830 [pljesak] 180 00:10:39,830 --> 00:10:41,340 [Glazba] 181 00:10:41,340 --> 00:10:42,650 [pljesak] 182 00:10:42,650 --> 00:10:50,180 [Glazba] 183 00:10:50,180 --> 00:10:50,670 [pljesak] 184 00:10:50,670 --> 00:10:56,950 [Glazba] 185 00:10:56,950 --> 00:10:57,540 [pljesak] 186 00:10:57,540 --> 00:10:58,530 [Glazba] 187 00:10:58,530 --> 00:11:04,299 [pljesak] 188 00:11:06,360 --> 00:11:09,409 [Glazba] 189 00:11:11,800 --> 00:11:14,320 [Glazba] 190 00:11:14,320 --> 00:11:21,519 Seas the of your disce re your to 191 00:11:21,519 --> 00:11:24,519 the 192 00:11:25,240 --> 00:11:29,240 sve pog 193 00:11:29,519 --> 00:11:31,920 protiv 194 00:11:33,310 --> 00:11:39,440 [Glazba] 195 00:11:40,560 --> 00:11:46,120 the mus of theong uzeti 196 00:11:52,600 --> 00:11:59,040 daleko daleko moj Bri daleko blizu ruba 197 00:11:59,040 --> 00:12:01,240 moj 198 00:12:01,320 --> 00:12:06,440 ne odmah ne pravo 199 00:12:06,440 --> 00:12:06,960 [pljesak] 200 00:12:06,960 --> 00:12:16,150 [Glazba] 201 00:12:16,150 --> 00:12:16,280 [pljesak] 202 00:12:16,280 --> 00:12:20,850 [Glazba] 203 00:12:22,320 --> 00:12:26,399 udaljena linija oko promjena 204 00:12:26,399 --> 00:12:30,440 Sumer poseže za bojom 205 00:12:30,440 --> 00:12:31,399 the 206 00:12:31,399 --> 00:12:33,560 nebo dolje a 207 00:12:33,560 --> 00:12:37,720 trenutak jutra brže od nas 208 00:12:37,720 --> 00:12:41,920 vidi preboljeti sve vrijeme koje sam morao 209 00:12:41,920 --> 00:12:45,279 nosite ga ostavljajući sve 210 00:12:45,279 --> 00:12:48,279 promjene 211 00:12:49,600 --> 00:12:51,830 iza naći 212 00:12:51,830 --> 00:12:53,160 [Glazba] 213 00:12:53,160 --> 00:12:59,320 vani dolje kraj ugla 214 00:12:59,320 --> 00:13:03,600 blizu ruba baš kao 215 00:13:03,600 --> 00:13:06,600 pravi 216 00:13:06,839 --> 00:13:10,040 SE dobivam 217 00:13:10,040 --> 00:13:12,600 ustanem 218 00:13:12,600 --> 00:13:16,380 dolje sad je sve 219 00:13:16,380 --> 00:13:19,160 [Glazba] 220 00:13:19,160 --> 00:13:23,160 preko ukupne mase zadržati Anderson je rekao 221 00:13:23,160 --> 00:13:26,160 sljedeće o ovom odjeljku koji smo postavili 222 00:13:26,160 --> 00:13:28,120 temelj kamo idemo 223 00:13:28,120 --> 00:13:31,240 idi i sada smo u drugom dijelu 224 00:13:31,240 --> 00:13:33,920 ovdje se radi o opuštanju života i 225 00:13:33,920 --> 00:13:36,600 biti blizu ruba spoznaje 226 00:13:36,600 --> 00:13:39,639 naših univerzalnih iskustava eto što 227 00:13:39,639 --> 00:13:42,320 pjesma počinje objašnjavati 228 00:13:42,320 --> 00:13:45,199 sve će ti doći na pamet ideja je 229 00:13:45,199 --> 00:13:47,959 da je život neprekidno putovanje i ti 230 00:13:47,959 --> 00:13:51,120 morate uživati u tome ovo je najkraći od 231 00:13:51,120 --> 00:13:53,519 četiri dijela blizu ruba 232 00:13:53,519 --> 00:13:56,240 traje nešto više od 2 minute i to 233 00:13:56,240 --> 00:13:58,320 počinje zadivljujućom ritmikom 234 00:13:58,320 --> 00:14:01,720 Groove sa Squireom i Brufordom u a 235 00:14:01,720 --> 00:14:05,090 sinkopirana 44 takta 236 00:14:05,090 --> 00:14:25,809 [Glazba] 237 00:14:27,970 --> 00:14:34,970 [Glazba] 238 00:14:36,320 --> 00:14:38,519 moj 239 00:14:39,600 --> 00:14:57,279 [Glazba] 240 00:14:57,279 --> 00:14:59,800 oči 241 00:14:59,800 --> 00:15:04,720 za vidjeti m to close to Over the 242 00:15:04,720 --> 00:15:08,040 More S 243 00:15:09,760 --> 00:15:14,600 [Glazba] 244 00:15:14,600 --> 00:15:18,350 toose uz rijeku blizu ruba uz 245 00:15:18,350 --> 00:15:20,330 [Glazba] 246 00:15:20,330 --> 00:15:22,199 [pljesak] 247 00:15:22,199 --> 00:15:26,199 ugao 248 00:15:26,750 --> 00:15:34,079 [Glazba] 249 00:15:34,079 --> 00:15:38,279 neki oduzimaju sv 250 00:15:38,279 --> 00:15:45,120 sjećanje putovanje te vodi cijelim putem 251 00:15:45,220 --> 00:15:53,710 [Glazba] 252 00:15:54,000 --> 00:15:56,040 doći 253 00:15:56,040 --> 00:15:59,720 moj the 254 00:15:59,720 --> 00:16:04,480 s jedne na drugu stranu mi on M 255 00:16:04,480 --> 00:16:07,680 kiša 256 00:16:08,250 --> 00:16:15,890 [Glazba] 257 00:16:17,360 --> 00:16:20,560 kraj dobivam 258 00:16:20,560 --> 00:16:24,800 ustanem 259 00:16:24,840 --> 00:16:30,839 [Glazba] 260 00:16:30,839 --> 00:16:33,839 n 261 00:16:34,910 --> 00:16:44,330 [Glazba] 262 00:16:44,330 --> 00:16:44,970 [pljesak] 263 00:16:44,970 --> 00:17:23,360 [Glazba] 264 00:17:23,360 --> 00:17:26,089 taj 265 00:17:26,089 --> 00:17:32,000 [Glazba] 266 00:17:32,000 --> 00:17:35,559 Ustajem dobivam 267 00:17:36,200 --> 00:17:38,840 dolje ovo je najljepši od 268 00:17:38,840 --> 00:17:41,000 četiri stavka što je iznimno 269 00:17:41,000 --> 00:17:43,840 izražajno i vrhunski ga uredio 270 00:17:43,840 --> 00:17:46,960 otvara sanjivim ambijentalnim melron žicama 271 00:17:46,960 --> 00:17:50,039 i sitar svira kako koji oboje 272 00:17:50,039 --> 00:17:53,160 uskoro izblijedjeti kapljice vode također mogu biti 273 00:17:53,160 --> 00:17:55,880 čuo kako sugerira prirodno okruženje 274 00:17:55,880 --> 00:17:56,880 a 275 00:17:56,880 --> 00:18:00,200 cave Anderson je rekao da sam veliki obožavatelj 276 00:18:00,200 --> 00:18:03,039 Beach Boys i udruga Steve and 277 00:18:03,039 --> 00:18:05,200 Radio sam na tome i u jednom trenutku 278 00:18:05,200 --> 00:18:08,280 rekao je da imam ovu drugu pjesmu i ja 279 00:18:08,280 --> 00:18:12,919 rekao dobro počni to pjevati i on 280 00:18:13,050 --> 00:18:16,230 [Glazba] 281 00:18:22,520 --> 00:18:25,320 otišao theame for 282 00:18:25,320 --> 00:18:27,590 theci od 283 00:18:27,590 --> 00:18:41,960 [Glazba] 284 00:18:41,960 --> 00:18:44,360 kad sam to čuo rekao sam čekaj to je 285 00:18:44,360 --> 00:18:46,919 bit će savršeno počneš pjevati 286 00:18:46,919 --> 00:18:49,320 to s Chrisom i onda ću otpjevati svoje 287 00:18:49,320 --> 00:18:53,600 dijelom ćemo dobiti odgovor 288 00:18:53,600 --> 00:18:58,919 [Glazba] 289 00:18:58,919 --> 00:19:01,530 oh 290 00:19:01,530 --> 00:20:09,240 [Glazba] 291 00:20:09,240 --> 00:20:14,159 mogli ste jasno vidjeti Linga 292 00:20:20,560 --> 00:20:35,480 [Glazba] 293 00:20:35,480 --> 00:20:38,480 ljudi 294 00:20:38,960 --> 00:20:43,480 stisi 200 žena gledati jednu ženu 295 00:20:43,480 --> 00:20:47,480 plakati toate 296 00:20:48,240 --> 00:21:04,000 [Glazba] 297 00:21:04,000 --> 00:21:06,200 ja 298 00:21:06,200 --> 00:21:09,480 dobiti dobivam 299 00:21:09,480 --> 00:21:12,679 dolje dobivam 300 00:21:12,679 --> 00:21:16,279 ustanem 301 00:21:17,360 --> 00:21:23,110 down charge of who is there zadužen za 302 00:21:23,110 --> 00:21:26,450 [Glazba] 303 00:21:26,559 --> 00:21:30,520 mislim ja 304 00:21:34,360 --> 00:21:38,159 istina je napisana 305 00:21:39,240 --> 00:21:42,159 [Glazba] 306 00:21:42,159 --> 00:21:43,220 sve 307 00:21:43,220 --> 00:21:51,799 [Glazba] 308 00:21:51,799 --> 00:21:54,679 dobivam 309 00:21:54,679 --> 00:21:58,960 dolje dobivam 310 00:21:58,960 --> 00:22:01,600 dobivam 311 00:22:01,600 --> 00:22:03,760 dolje dobiti 312 00:22:03,760 --> 00:22:05,080 [Glazba] 313 00:22:05,080 --> 00:22:09,400 gore sići dolje 314 00:22:09,850 --> 00:22:14,299 [Glazba] 315 00:22:22,270 --> 00:22:44,400 [Glazba] 316 00:22:44,400 --> 00:22:46,760 dobiti 317 00:22:46,880 --> 00:22:50,279 ustati 318 00:22:50,360 --> 00:22:53,480 dolje dobiti 319 00:22:53,480 --> 00:22:58,200 gore silazim 320 00:22:58,600 --> 00:23:00,690 oh 321 00:23:00,690 --> 00:23:20,210 [Glazba] 322 00:23:20,210 --> 00:23:23,349 [pljesak] 323 00:23:26,890 --> 00:23:53,739 [Glazba] 324 00:23:53,799 --> 00:23:56,799 w 325 00:24:03,930 --> 00:24:08,320 [Glazba] 326 00:24:08,320 --> 00:24:11,279 godišnja doba 327 00:24:11,640 --> 00:24:14,320 čovjek glazbeno mir gradi na a 328 00:24:14,320 --> 00:24:16,559 završni zbor, a zatim blijedi na 329 00:24:16,559 --> 00:24:18,559 zvukovi prirode koji se čuju u 330 00:24:18,559 --> 00:24:21,679 počinje tako da pjesma završava na isti način 331 00:24:21,679 --> 00:24:24,240 kao što je počelo dok čujemo zvukove 332 00:24:24,240 --> 00:24:27,120 ptice i voda koja teče u rijeci i 333 00:24:27,120 --> 00:24:29,120 do kraja zaključnog dijela 334 00:24:29,120 --> 00:24:32,320 godišnja doba čovjeka sidarthur je pronašao 335 00:24:32,320 --> 00:24:34,240 znanje i prosvjetljenje koje on 336 00:24:34,240 --> 00:24:37,720 tražio dok čujemo tekstove kao što su 337 00:24:37,720 --> 00:24:42,910 [Glazba] 338 00:24:44,930 --> 00:24:54,479 [Glazba] 339 00:24:57,260 --> 00:25:00,349 [Glazba] 340 00:25:00,600 --> 00:25:03,570 dobiti 341 00:25:03,570 --> 00:25:10,130 [Glazba] 342 00:25:12,420 --> 00:25:18,520 [Glazba] 343 00:25:18,520 --> 00:25:21,360 [pljesak] 344 00:25:21,360 --> 00:25:25,690 [Glazba] 345 00:25:27,850 --> 00:25:30,940 [Glazba] 346 00:25:40,810 --> 00:25:45,450 [Glazba] 347 00:25:46,720 --> 00:25:49,720 w 348 00:25:50,980 --> 00:25:53,690 [pljesak] 349 00:25:53,690 --> 00:25:56,869 [Glazba] 350 00:25:58,799 --> 00:26:01,799 oh 351 00:26:03,090 --> 00:26:06,240 [Glazba] 352 00:26:10,290 --> 00:26:23,019 [Glazba] 353 00:26:25,220 --> 00:26:33,470 [Glazba] 354 00:26:41,690 --> 00:26:42,530 [Glazba] 355 00:26:42,530 --> 00:26:45,790 [pljesak] 356 00:26:45,790 --> 00:26:50,039 [Glazba] 357 00:26:50,039 --> 00:26:51,799 vrijeme 358 00:26:51,799 --> 00:26:55,320 između do 359 00:26:56,520 --> 00:27:00,399 scate čini prostor između 360 00:27:00,399 --> 00:27:03,240 Fus od 361 00:27:03,240 --> 00:27:06,760 Vrijeme za ljubav 362 00:27:07,150 --> 00:27:09,520 [pljesak] 363 00:27:09,520 --> 00:27:12,200 [Glazba] 364 00:27:12,200 --> 00:27:15,399 soci party to the 365 00:27:15,399 --> 00:27:16,919 čovjek 366 00:27:16,919 --> 00:27:19,919 SP 367 00:27:20,919 --> 00:27:22,990 oko moje 368 00:27:22,990 --> 00:27:29,640 [Glazba] 369 00:27:29,640 --> 00:27:33,279 na brijegu smo Bu The Silence of 370 00:27:33,279 --> 00:27:36,559 do 371 00:27:37,679 --> 00:27:43,720 winess we reach our mement in between 372 00:27:43,720 --> 00:27:48,640 blizu ruba 373 00:27:48,960 --> 00:27:53,720 dolje na kraju 374 00:27:54,120 --> 00:27:56,610 od J 375 00:27:56,610 --> 00:27:59,519 [Glazba] 376 00:27:59,519 --> 00:28:06,519 jesen idi u more pravo na tebe 377 00:28:07,010 --> 00:28:07,500 [Glazba] 378 00:28:07,500 --> 00:28:17,880 [pljesak] 379 00:28:17,880 --> 00:28:18,400 [Glazba] 380 00:28:18,400 --> 00:28:20,100 [pljesak] 381 00:28:20,100 --> 00:28:21,290 [Glazba] 382 00:28:21,290 --> 00:28:24,599 [pljesak] 383 00:28:30,600 --> 00:28:34,109 [pljesak] 384 00:28:35,510 --> 00:28:39,410 [Glazba] 385 00:28:43,610 --> 00:28:49,809 [Glazba] 386 00:28:52,120 --> 00:28:54,480 pogledajmo i rukopis 387 00:28:54,480 --> 00:28:56,080 koji pokazuje neke od mnogih vremena 388 00:28:56,080 --> 00:28:58,640 promjene potpisa u ovom odjeljku koji 389 00:28:58,640 --> 00:29:03,159 možda nije bio svjestan 390 00:29:03,190 --> 00:29:30,600 [Glazba] 391 00:29:30,600 --> 00:29:34,320 BL ti ja 392 00:29:34,320 --> 00:29:38,170 dobiti dobivam 393 00:29:38,170 --> 00:29:58,390 [Glazba] 394 00:30:01,440 --> 00:30:03,960 druga strana vinilnog LP-ja počinje s 395 00:30:03,960 --> 00:30:07,480 pjesma i ti i ja koja je nastala kao a 396 00:30:07,480 --> 00:30:09,880 više narodno orijentirana Pjesma u četiri 397 00:30:09,880 --> 00:30:12,440 odjeljci njegov stil i teme bile su 398 00:30:12,440 --> 00:30:15,320 radio na tome kako Bruford i Squire i 399 00:30:15,320 --> 00:30:17,760 je jedina pjesma na albumu koja 400 00:30:17,760 --> 00:30:21,080 zasluge Bruford i Squire kao 401 00:30:21,080 --> 00:30:23,799 pisci cord of 402 00:30:23,799 --> 00:30:26,360 Life Anderson je napisao tekst u ovome 403 00:30:26,360 --> 00:30:28,480 pjesma koja predstavlja susret s 404 00:30:28,480 --> 00:30:32,120 Božansko, dakle ti i ja se odnosi na Božansko 405 00:30:32,120 --> 00:30:35,360 i Anderson je rekao da više voli 406 00:30:35,360 --> 00:30:39,720 zvuk i ti i ja samo ti i ja 407 00:30:39,720 --> 00:30:42,440 pa ovo što čujemo opet imamo 408 00:30:42,440 --> 00:30:44,640 četiri stavka i pjesma se otvara s 409 00:30:44,640 --> 00:30:47,159 odjeljak sud života koji počinje s 410 00:30:47,159 --> 00:30:50,159 u redu od Stevea kako nakon čega on 411 00:30:50,159 --> 00:30:52,559 postavio neke harmonike na svojih 12 žica 412 00:30:52,559 --> 00:30:55,440 akustične gitare ovog trenutka nije bilo 413 00:30:55,440 --> 00:30:58,200 izvorno dio pjesme ali ponuđen 414 00:30:58,200 --> 00:31:00,440 svidjelo i nagovorio je bend da ostane 415 00:31:00,440 --> 00:31:03,720 nakon ovog mini uvoda kako se rješava 416 00:31:03,720 --> 00:31:06,399 u definiraniji obrazac koji sadrži 417 00:31:06,399 --> 00:31:09,080 spora i vedra gitara 418 00:31:09,080 --> 00:31:11,159 bilješke 419 00:31:11,159 --> 00:31:14,910 trči u redu 420 00:31:14,910 --> 00:31:27,759 [Glazba] 421 00:31:32,300 --> 00:31:41,400 [Glazba] 422 00:31:45,920 --> 00:31:49,049 [Glazba] 423 00:31:51,250 --> 00:32:02,760 [Glazba] 424 00:32:02,760 --> 00:32:05,039 Squire zatim dodaje nekoliko niskih udaraca 425 00:32:05,039 --> 00:32:08,279 note u ritmu s Brufordovim bubnjem 426 00:32:08,279 --> 00:32:10,679 praćen zveckanjem trokuta 427 00:32:10,679 --> 00:32:13,639 pitajući kako uvesti prvi stih 428 00:32:13,639 --> 00:32:16,919 u 3 četiri puta s jednostavnim uzorkom 429 00:32:16,919 --> 00:32:20,840 d g i durski akordi ovo je uskoro 430 00:32:20,840 --> 00:32:22,840 dopunjen Wakemanom svirajući a 431 00:32:22,840 --> 00:32:27,180 ugodna melodija na mini Moogu 432 00:32:27,180 --> 00:32:34,920 [Glazba] 433 00:32:34,920 --> 00:32:35,740 [pljesak] 434 00:32:35,740 --> 00:32:39,310 [Glazba] 435 00:32:39,310 --> 00:32:39,440 [pljesak] 436 00:32:39,440 --> 00:32:41,040 [Glazba] 437 00:32:41,040 --> 00:32:41,260 [pljesak] 438 00:32:41,260 --> 00:32:43,400 [Glazba] 439 00:32:43,400 --> 00:32:45,890 [pljesak] 440 00:32:45,890 --> 00:32:47,820 [Glazba] 441 00:32:47,820 --> 00:32:48,360 [pljesak] 442 00:32:48,360 --> 00:32:50,919 [Glazba] 443 00:32:50,919 --> 00:32:55,039 čovjek vidi trenutak odgovore na 444 00:32:55,039 --> 00:32:57,140 san 445 00:32:57,140 --> 00:32:57,960 [Glazba] 446 00:32:57,960 --> 00:33:00,240 [pljesak] 447 00:33:00,240 --> 00:33:06,240 ostati u cvijeću da pjeva sve 448 00:33:08,000 --> 00:33:12,630 kao temelj za stvaranje 449 00:33:12,630 --> 00:33:13,220 [pljesak] 450 00:33:13,220 --> 00:33:16,980 [Glazba] 451 00:33:16,980 --> 00:33:18,540 [pljesak] 452 00:33:18,540 --> 00:33:22,360 [Glazba] 453 00:33:22,360 --> 00:33:26,360 spirala sa 454 00:33:28,960 --> 00:33:34,919 CH Šumski vid zvuk prostor 455 00:33:35,480 --> 00:33:37,240 [pljesak] 456 00:33:37,240 --> 00:33:39,960 GRE između 457 00:33:39,960 --> 00:33:42,490 thect iza lica 458 00:33:42,490 --> 00:33:45,619 [pljesak] 459 00:33:45,720 --> 00:33:49,200 brzog shvaćanja svih 460 00:33:49,200 --> 00:33:50,880 izražavanje 461 00:33:50,880 --> 00:33:54,040 Otkrivena emocija je 462 00:33:54,040 --> 00:33:56,080 [Glazba] 463 00:33:56,080 --> 00:33:59,720 ocean oh 464 00:34:00,279 --> 00:34:03,639 ona sa 465 00:34:04,200 --> 00:34:07,200 tebe 466 00:34:14,210 --> 00:34:17,369 [Glazba] 467 00:34:22,520 --> 00:34:28,240 ohes you say gledajući svijet 468 00:34:28,240 --> 00:34:29,480 sve 469 00:34:29,480 --> 00:34:34,000 onoga što ti 470 00:34:36,960 --> 00:34:40,720 za i tebe 471 00:34:40,920 --> 00:34:43,919 [Glazba] 472 00:34:43,919 --> 00:34:48,679 i vi i mi za 473 00:34:48,679 --> 00:34:52,679 razlozi za 474 00:35:05,040 --> 00:35:07,560 pomrčina u ovom odjeljku čujemo kako 475 00:35:07,560 --> 00:35:10,000 svirajući pedal steel gitaru sa 476 00:35:10,000 --> 00:35:12,839 Izobličenje i veliko kašnjenje stvaraju a 477 00:35:12,839 --> 00:35:15,920 swooping swooning efekt koji boje 478 00:35:15,920 --> 00:35:18,200 prolaz s onim što se osjeća 479 00:35:18,200 --> 00:35:21,720 emocionalni usponi i padovi Anderson zatim 480 00:35:21,720 --> 00:35:24,160 pjeva vokal pun strasti temeljen na 481 00:35:24,160 --> 00:35:27,359 obrazac akorda u stihu ovaj put 482 00:35:27,359 --> 00:35:30,119 u višem registru on završava svoje 483 00:35:30,119 --> 00:35:32,680 izvođenje na uzbudljiv način 484 00:35:32,680 --> 00:35:35,119 Wakeman tada preuzima s grandom 485 00:35:35,119 --> 00:35:37,800 vratiti se glavnoj temi nježno dajući 486 00:35:37,800 --> 00:35:40,480 način kako tko ponavlja otvaranje od 487 00:35:40,480 --> 00:35:43,520 peggos koji sada služe kao prijelaz 488 00:35:43,520 --> 00:35:46,390 trećem stavku 489 00:35:46,390 --> 00:35:56,210 [Glazba] 490 00:35:58,720 --> 00:36:01,720 oh 491 00:36:10,860 --> 00:36:27,800 [Glazba] 492 00:36:27,800 --> 00:36:30,800 oh 493 00:36:32,310 --> 00:36:35,500 [Glazba] 494 00:36:38,180 --> 00:36:46,409 [Glazba] 495 00:36:49,780 --> 00:37:23,240 [Glazba] 496 00:37:23,240 --> 00:37:27,890 izraz moce je ocean 497 00:37:27,890 --> 00:37:39,839 [Glazba] 498 00:37:39,839 --> 00:37:44,640 života s tobom 499 00:37:47,870 --> 00:38:02,530 [Glazba] 500 00:38:02,530 --> 00:38:03,170 [pljesak] 501 00:38:03,170 --> 00:38:18,030 [Glazba] 502 00:38:18,760 --> 00:38:22,079 propovjednik the 503 00:38:22,920 --> 00:38:25,800 učitelj Anderson je rekao da ide na a 504 00:38:25,800 --> 00:38:28,119 potpuno druga pjesma i Fe 505 00:38:28,119 --> 00:38:30,680 Steve je čarobni gitarist i on 506 00:38:30,680 --> 00:38:33,599 mogao sam tako lako prijeći na novi stil 507 00:38:33,599 --> 00:38:35,200 rekao mu je da mora imati pravi 508 00:38:35,200 --> 00:38:38,040 Osjećaj zemlje prema tome znao je što treba 509 00:38:38,040 --> 00:38:42,640 učiniti odjeljak završava s 510 00:38:43,680 --> 00:38:46,680 riječi 511 00:38:47,270 --> 00:38:49,400 [Glazba] 512 00:38:49,400 --> 00:38:51,079 izražavanje 513 00:38:51,079 --> 00:38:55,220 emocija r kao ocean 514 00:38:55,220 --> 00:38:58,280 [Glazba] 515 00:38:58,280 --> 00:39:02,720 a clear up good J morning evening nights 516 00:39:02,720 --> 00:39:06,040 s tobom 517 00:39:08,370 --> 00:39:37,180 [Glazba] 518 00:39:37,180 --> 00:39:40,270 [pljesak] 519 00:39:44,960 --> 00:39:59,389 [Glazba] 520 00:40:00,000 --> 00:40:05,040 Pazi na boju 521 00:40:10,200 --> 00:40:12,070 ofed od 522 00:40:12,070 --> 00:40:14,800 [Glazba] 523 00:40:14,800 --> 00:40:19,359 nećemo biti 524 00:40:19,359 --> 00:40:24,160 ovjeriti politički s remain will 525 00:40:24,160 --> 00:40:30,440 die Reach Out T forward taste begin to 526 00:40:30,440 --> 00:40:36,179 [Glazba] 527 00:40:37,520 --> 00:40:41,960 ulazim, slušam dobro, ali nisam mogao 528 00:40:41,960 --> 00:40:46,480 vidjeti kao promjenu temp 529 00:40:46,480 --> 00:40:51,560 van propovijedati sve 530 00:40:51,760 --> 00:40:59,240 to tr biti show the na kraju biti sa 531 00:41:00,040 --> 00:41:01,480 the 532 00:41:01,480 --> 00:41:03,690 istina u njegovom 533 00:41:03,690 --> 00:41:05,599 [Glazba] 534 00:41:05,599 --> 00:41:09,599 oči 535 00:41:10,580 --> 00:41:14,940 [Glazba] 536 00:41:14,940 --> 00:41:18,150 [pljesak] 537 00:41:21,480 --> 00:41:21,750 [pljesak] 538 00:41:21,750 --> 00:41:23,160 [Glazba] 539 00:41:23,160 --> 00:41:25,650 [pljesak] 540 00:41:25,650 --> 00:41:28,889 [Glazba] 541 00:41:37,040 --> 00:41:40,400 okrenuti se 542 00:41:43,150 --> 00:41:50,760 [Glazba] 543 00:41:50,760 --> 00:41:54,560 izraz aare 544 00:41:54,720 --> 00:41:58,079 Svjetla s tobom 545 00:41:58,079 --> 00:42:01,079 oh 546 00:42:07,020 --> 00:42:13,640 [Glazba] 547 00:42:13,640 --> 00:42:16,780 [pljesak] 548 00:42:21,070 --> 00:42:39,409 [Glazba] 549 00:42:41,530 --> 00:42:46,019 [Glazba] 550 00:42:46,520 --> 00:42:49,359 apokalipsa ovo je kratko zatvaranje 551 00:42:49,359 --> 00:42:51,559 odlomak u kojem čujemo završni stih 552 00:42:51,559 --> 00:42:54,079 otpjevana na nešto drugačiju Melodiju 553 00:42:54,079 --> 00:42:56,599 dok kako duplira na akustičnoj i Sly 554 00:42:56,599 --> 00:42:57,640 gitara 555 00:42:57,640 --> 00:42:59,760 to je prikladan kraj koji nas ostavlja 556 00:42:59,760 --> 00:43:02,920 osjećaj topline i 557 00:43:05,400 --> 00:43:08,960 sadržaj i ti i ja CL drobljenje 558 00:43:08,960 --> 00:43:11,839 brod od 559 00:43:12,000 --> 00:43:17,319 jutro i ti i ja se popnemo preko 560 00:43:18,640 --> 00:43:24,960 the and you and I clim clear prema 561 00:43:25,280 --> 00:43:32,359 pokret i ti i ja zovemo preko 562 00:43:36,550 --> 00:43:40,390 [Glazba] 563 00:43:40,390 --> 00:43:43,590 [pljesak] 564 00:43:45,420 --> 00:43:52,540 [Glazba] 565 00:43:55,680 --> 00:43:59,830 [Glazba] 566 00:44:01,860 --> 00:44:23,949 [Glazba] 567 00:44:24,079 --> 00:44:27,440 Anderson je rekao da katru znači kako želite 568 00:44:27,440 --> 00:44:30,440 Jemen je arapski dijalekt kad smo mi bili 569 00:44:30,440 --> 00:44:32,599 radeći na tome nastavio sam pjevati riječ 570 00:44:32,599 --> 00:44:35,160 iznova i iznova iako nisam imao 571 00:44:35,160 --> 00:44:37,680 zamislite što to znači da sam nekoga zamolio 572 00:44:37,680 --> 00:44:39,880 potraži mi to i kad su mi rekli 573 00:44:39,880 --> 00:44:43,079 značenje koje je djelovalo za pjesmu the 574 00:44:43,079 --> 00:44:46,720 ideja je da je Sibir tako daleko i 575 00:44:46,720 --> 00:44:49,319 bilo je poput Ničije zemlje pa je misao 576 00:44:49,319 --> 00:44:52,240 bio da se život tamo još uvijek događa takav kakav je 577 00:44:52,240 --> 00:44:54,720 radi ovdje u pjesmi The Mysterious 578 00:44:54,720 --> 00:44:57,119 kopnena masa spominje se samo u jednom 579 00:44:57,119 --> 00:45:00,210 linija i samo se ponavlja 580 00:45:00,210 --> 00:45:13,200 [Glazba] 581 00:45:13,200 --> 00:45:16,240 jednom kao i za drugu polovicu naslova 582 00:45:16,240 --> 00:45:19,920 riječ katru čini samo jedan brif 583 00:45:19,920 --> 00:45:24,240 pojava zelena otkriva umjetnost govora 584 00:45:24,240 --> 00:45:27,240 istina 585 00:45:30,300 --> 00:45:33,240 [Glazba] 586 00:45:33,240 --> 00:45:35,559 tako da je iberijski katru prilično a 587 00:45:35,559 --> 00:45:37,160 izravna rock pjesma koja 588 00:45:37,160 --> 00:45:39,800 razvijeno iz ideje koju je imao Anderson 589 00:45:39,800 --> 00:45:42,440 akustična gitara pjesma je često bila 590 00:45:42,440 --> 00:45:44,720 koristi se kao uvodna numera na koncertima 591 00:45:44,720 --> 00:45:47,200 i traje nešto više od 9 minuta 592 00:45:47,200 --> 00:45:50,000 Sibirska katru izgleda kao kratka pjesma 593 00:45:50,000 --> 00:45:53,040 na ovom albumu sadrži i kratak 594 00:45:53,040 --> 00:45:54,960 što bi se u početku moglo smatrati 595 00:45:54,960 --> 00:45:58,200 lijevo od središnje trake koja zvuči grubo 596 00:45:58,200 --> 00:46:00,880 solo od Wakemana na nešto više od 3 597 00:46:00,880 --> 00:46:03,760 minuta Mark u što je jako ljuljanje 598 00:46:03,760 --> 00:46:08,300 pjesma, ali zvuči savršeno 599 00:46:08,300 --> 00:46:26,620 [Glazba] 600 00:46:26,620 --> 00:46:27,100 [pljesak] 601 00:46:27,100 --> 00:46:29,950 [Glazba] 602 00:46:29,950 --> 00:46:32,710 [pljesak] 603 00:46:32,710 --> 00:47:10,839 [Glazba] 604 00:47:10,839 --> 00:47:12,920 Jako mi se sviđa i rubrika u kojoj 605 00:47:12,920 --> 00:47:15,640 čujemo povratak na liriku plave 606 00:47:15,640 --> 00:47:19,640 tail tailly čuo se kratko ranije u 607 00:47:19,640 --> 00:47:22,319 pjesma se temelji na dva akorda koji 608 00:47:22,319 --> 00:47:24,839 udaljeni su manja terca što je an 609 00:47:24,839 --> 00:47:27,280 interval koji se često koristi u filmskoj glazbi za 610 00:47:27,280 --> 00:47:30,559 stvoriti osjećaj neizvjesnosti Anderson 611 00:47:30,559 --> 00:47:33,280 dodaje vrlo jednostavnu melodijsku liniju preko 612 00:47:33,280 --> 00:47:36,319 napredovanje da stvorim ono što mislim da je a 613 00:47:36,319 --> 00:47:41,319 očaravajući trenutak u pjesmi 614 00:47:41,760 --> 00:47:51,400 [Glazba] 615 00:47:56,780 --> 00:48:02,160 [Glazba] 616 00:48:02,160 --> 00:48:04,440 poklopac 617 00:48:04,440 --> 00:48:09,359 Mjesec kao jedan 618 00:48:12,359 --> 00:48:14,559 promjene 619 00:48:14,559 --> 00:48:16,599 duša 620 00:48:16,599 --> 00:48:18,559 m 621 00:48:18,559 --> 00:48:20,640 kršćanski 622 00:48:20,640 --> 00:48:26,640 mjenjač držite našeg spasitelja 623 00:48:27,900 --> 00:48:34,249 [Glazba] 624 00:48:41,800 --> 00:48:44,720 turn pjesma ima zanimljive rifove 625 00:48:44,720 --> 00:48:47,119 teme Mostovi i dionica vok 626 00:48:47,119 --> 00:48:50,119 napjevi 627 00:48:51,090 --> 00:48:54,109 [Glazba] 628 00:48:56,650 --> 00:49:17,460 [Glazba] 629 00:49:18,319 --> 00:49:20,920 kako svira dva sola jedan nakon Ricka 630 00:49:20,920 --> 00:49:23,240 Wakeman's Harps solo ploča 631 00:49:23,240 --> 00:49:26,359 lap gitara u studijskom snimanju i 632 00:49:26,359 --> 00:49:28,720 drugi na kraju pjesme u 633 00:49:28,720 --> 00:49:31,720 kasnije kako je namjerno odigrao zatvaranje 634 00:49:31,720 --> 00:49:34,280 solo bez mogućnosti čuti što je to 635 00:49:34,280 --> 00:49:37,160 zvučalo je kao eksperiment kada je 636 00:49:37,160 --> 00:49:39,319 bend slušao playback oni 637 00:49:39,319 --> 00:49:42,200 mislio da je čudno, ali prikladno 638 00:49:42,200 --> 00:49:47,040 zanimljivo i solo je uključen 639 00:49:47,040 --> 00:50:09,590 [Glazba] 640 00:50:09,590 --> 00:50:11,990 [pljesak] 641 00:50:11,990 --> 00:50:16,599 [Glazba] 642 00:50:22,000 --> 00:50:24,119 teško je precijeniti 643 00:50:24,119 --> 00:50:26,720 veličina ovog albuma i njegov utjecaj 644 00:50:26,720 --> 00:50:29,359 o progresivnoj rock zajednici i meni 645 00:50:29,359 --> 00:50:31,359 vjerujte da su sve tri pjesme 646 00:50:31,359 --> 00:50:34,559 izvanredno kohezivni i vise zajedno 647 00:50:34,559 --> 00:50:37,000 besprijekorno Anderson i Hal bili su 648 00:50:37,000 --> 00:50:39,040 glavni kreativni pokretači smjera 649 00:50:39,040 --> 00:50:41,720 album je trebao uzeti dok je Squire uzimao 650 00:50:41,720 --> 00:50:43,839 vodeća uloga u pružanju pomoći s 651 00:50:43,839 --> 00:50:46,240 proizvodnja da se moglo nastaviti s 652 00:50:46,240 --> 00:50:49,200 uspješna formula koja je stvorila The 653 00:50:49,200 --> 00:50:52,200 Krhki album, ali andison posebno 654 00:50:52,200 --> 00:50:54,440 želio zadržati stvari u pokretu zadržati 655 00:50:54,440 --> 00:50:57,799 širiti se i dalje glazbeno razvijati 656 00:50:57,799 --> 00:50:59,799 ubrzo je postalo jasno da je 657 00:50:59,799 --> 00:51:02,599 pjesma blizu ruba će biti 658 00:51:02,599 --> 00:51:04,400 vrlo različito u razvoju 659 00:51:04,400 --> 00:51:06,880 složenost ovog izazova staze 660 00:51:06,880 --> 00:51:09,799 članovi poput bez prethodnog rada i na 661 00:51:09,799 --> 00:51:11,760 nekoliko navrata dogovori koji 662 00:51:11,760 --> 00:51:14,720 da se počeo sastavljati bili tako zamršeni 663 00:51:14,720 --> 00:51:17,440 da su bili zaboravljeni od vremena 664 00:51:17,440 --> 00:51:19,920 sljedeće sesije benda za ovo 665 00:51:19,920 --> 00:51:21,920 razlog zašto je bend počeo snimati svoje 666 00:51:21,920 --> 00:51:24,760 probe da nastavio da 667 00:51:24,760 --> 00:51:27,079 snimiti pjesmu Ponekad u dijelovima 668 00:51:27,079 --> 00:51:29,760 kraći od 1 minute iako oni 669 00:51:29,760 --> 00:51:32,680 tada još uvijek nije imao kraj za to 670 00:51:32,680 --> 00:51:35,319 sastavljene su sekcije bend je morao 671 00:51:35,319 --> 00:51:37,119 naučiti svirati kompozitni mjuzikl 672 00:51:37,119 --> 00:51:39,760 niz za praćenje rada uživo 673 00:51:39,760 --> 00:51:41,880 snimanje ove pjesme Alone trajalo je 2 674 00:51:41,880 --> 00:51:45,160 mjeseci na savjetovanju i bilo je iscrpljujuće 675 00:51:45,160 --> 00:51:47,920 tipično iskustvo za sve uključene 676 00:51:47,920 --> 00:51:49,680 dan za snimanje albuma 677 00:51:49,680 --> 00:51:52,760 sastoji se od Stevea kako stiže prvi do 678 00:51:52,760 --> 00:51:55,799 Chin njegove gitare wakan bi tada stigao 679 00:51:55,799 --> 00:51:58,599 oko 10 sati bruford bi se tada okrenuo 680 00:51:58,599 --> 00:52:01,000 gore i saznati da je Squire kasnio 681 00:52:01,000 --> 00:52:03,920 opet bi tada stigao John Anderson 682 00:52:03,920 --> 00:52:05,839 i počelo bi planiranje za 683 00:52:05,839 --> 00:52:08,799 dan bi Squire stigao posljednji 684 00:52:08,799 --> 00:52:10,640 rano poslijepodne i onda bi išli 685 00:52:10,640 --> 00:52:13,079 i ugoditi njegovu bazu tako da je bend imao sreće 686 00:52:13,079 --> 00:52:16,079 da počne igrati do sredine poslijepodneva 687 00:52:16,079 --> 00:52:19,079 Wakeman je kasnije razradio neke aspekte 688 00:52:19,079 --> 00:52:21,520 snimanja Squireov pristup mogao 689 00:52:21,520 --> 00:52:23,920 biti izvor mnogih frustracija i 690 00:52:23,920 --> 00:52:26,760 napetost Chris bi igrao i onda htio 691 00:52:26,760 --> 00:52:29,240 ponoviti cijelu stvar, otišli bismo ali 692 00:52:29,240 --> 00:52:31,640 zadovoljni smo odigranim pa bi on 693 00:52:31,640 --> 00:52:33,880 petljati se i sve ponavljati i 694 00:52:33,880 --> 00:52:36,359 često pa bih onda otišao u pub 695 00:52:36,359 --> 00:52:38,760 iza ugla i vrati se u 10 ili 696 00:52:38,760 --> 00:52:41,480 23:00 a Chris je i dalje radio svoje 697 00:52:41,480 --> 00:52:44,200 opet dio basa sa Steveom i Johnom 698 00:52:44,200 --> 00:52:47,599 pokušavajući ga navući na spomenutog Wakemana 699 00:52:47,599 --> 00:52:50,040 sljedeće o miješanju na 700 00:52:50,040 --> 00:52:52,240 na kraju dana postalo je tako stisnuto 701 00:52:52,240 --> 00:52:54,400 nije bilo važno tko pritiska ili vrti 702 00:52:54,400 --> 00:52:56,799 što su svi samo slušali 703 00:52:56,799 --> 00:52:59,680 njihov vlastiti dio a ne ukupna stvar 704 00:52:59,680 --> 00:53:02,559 ne razmišljajući o gotovom proizvodu 705 00:53:02,559 --> 00:53:04,359 bilo je napetosti u izradi 706 00:53:04,359 --> 00:53:06,520 album koji je bruford usporedio s 707 00:53:06,520 --> 00:53:09,240 kao da pet ljudi pokušava pisati 708 00:53:09,240 --> 00:53:11,880 roman zajedno ipak unatoč 709 00:53:11,880 --> 00:53:13,160 teško radno okruženje 710 00:53:13,160 --> 00:53:15,799 dovršen album je bio izuzetan da 711 00:53:15,799 --> 00:53:18,000 uspjeli ostvariti svoju ambiciju 712 00:53:18,000 --> 00:53:21,240 snimiti popustljiv bočni ep 713 00:53:21,240 --> 00:53:23,799 bez ikakvih obloga i također isporučen 714 00:53:23,799 --> 00:53:26,920 dvije druge izvanredne pjesme napredak Rock 715 00:53:26,920 --> 00:53:30,200 izvršiti majstorski udarac blizu 716 00:53:30,200 --> 00:53:32,920 rub pa razgovarajmo o umjetničkom djelu 717 00:53:32,920 --> 00:53:35,240 sada blizu ruba bio je upakiran sa 718 00:53:35,240 --> 00:53:37,319 dizajniran preklopni rukav i 719 00:53:37,319 --> 00:53:40,359 ilustrirao Roger Dean koji je prethodno 720 00:53:40,359 --> 00:53:44,000 dizajnirao naslovnicu za krhke to označeno 721 00:53:44,000 --> 00:53:45,640 prvi nastup benda 722 00:53:45,640 --> 00:53:48,359 tip logotipa s mjehurićima postavljen na vrhu a 723 00:53:48,359 --> 00:53:50,680 jednostavan linearni dizajn prednje korice 724 00:53:50,680 --> 00:53:53,400 gradijent boje od crne do 725 00:53:53,400 --> 00:53:56,400 zeleni dekan skicirao je novi logo tijekom 726 00:53:56,400 --> 00:53:58,319 tijekom putovanja vlakom iz Londona u 727 00:53:58,319 --> 00:54:00,839 Brighton nakon što je imao ideju da 728 00:54:00,839 --> 00:54:03,280 mogla bi se spojiti tri slova 729 00:54:03,280 --> 00:54:05,880 zanimljiv način na koji je stekao 730 00:54:05,880 --> 00:54:07,960 inspiracija za omot albuma 731 00:54:07,960 --> 00:54:10,520 tijekom posjeta Hast Stacksu visok 732 00:54:10,520 --> 00:54:12,920 Hill u Lakes Districtu uzeo je 733 00:54:12,920 --> 00:54:14,920 fotografija na njegovom vrhu i promatrana 734 00:54:14,920 --> 00:54:17,799 mnogi gradovi koji ga okružuju bio sam 735 00:54:17,799 --> 00:54:20,880 zamišljajući ovo jezero je nešto veličanstvenije 736 00:54:20,880 --> 00:54:22,880 tada je imao ideju predstaviti a 737 00:54:22,880 --> 00:54:24,960 stalno crtanje vodopada 738 00:54:24,960 --> 00:54:27,760 osvježavajući se slijevajući se sa svih strana 739 00:54:27,760 --> 00:54:31,000 jezera na ovaj je način Dean pomogao da se 740 00:54:31,000 --> 00:54:33,000 uzdižu mistične ideje i 741 00:54:33,000 --> 00:54:35,480 maštovita glazba od da s njegovim 742 00:54:35,480 --> 00:54:37,760 umjetničko djelo koje je prikazivalo pejzaže 743 00:54:37,760 --> 00:54:41,559 idilična i egzotična fantazija zatvara rub 744 00:54:41,559 --> 00:54:43,480 objavljen je u rujnu 745 00:54:43,480 --> 00:54:47,319 1972. 6 tjedana u bendu 72 do 73 746 00:54:47,319 --> 00:54:50,440 Svjetska turneja za promociju albuma 747 00:54:50,440 --> 00:54:52,880 postao njihov najveći komercijalni uspjeh 748 00:54:52,880 --> 00:54:55,119 budući da je njihovo formiranje dosegnulo 749 00:54:55,119 --> 00:54:57,400 treće mjesto u SAD-u na a 750 00:54:57,400 --> 00:54:59,960 vrijeme kada je prog rock bio prilično 751 00:54:59,960 --> 00:55:01,520 mainstream 752 00:55:01,520 --> 00:55:04,000 glazba Savršenstvo je nešto što je 753 00:55:04,000 --> 00:55:07,720 nije moguće ili je album Yes i 754 00:55:07,720 --> 00:55:10,319 fragile su oba sjajna albuma, ali a 755 00:55:10,319 --> 00:55:13,359 malo neravnomjerno na mjestima, ali sam tvrd 756 00:55:13,359 --> 00:55:15,920 pritisnut da pronađe kat u blizini 757 00:55:15,920 --> 00:55:18,799 the edge album iz tajanstvenog intra 758 00:55:18,799 --> 00:55:20,480 to zvuči kao da se približavate 759 00:55:20,480 --> 00:55:22,960 Neistraženi otok usred tvog 760 00:55:22,960 --> 00:55:25,960 mašte do fascinantne međuigre 761 00:55:25,960 --> 00:55:29,280 između Squirea i kako kao sibirske katru 762 00:55:29,280 --> 00:55:32,200 Fades away ovaj je album postigao što sve 763 00:55:32,200 --> 00:55:34,319 Progresivni bendovi su vjerojatno mislili 764 00:55:34,319 --> 00:55:37,039 nemoguće nevjerojatno remek djelo 765 00:55:37,039 --> 00:55:40,480 koji se održao već više od 50 godina 766 00:55:40,480 --> 00:55:43,319 i mislim da će se i dalje poštovati u 767 00:55:43,319 --> 00:55:45,760 100 godina vremena i 768 00:55:45,760 --> 00:55:48,599 Osim toga, volio bih da opet možemo vidjeti drugu 769 00:55:48,599 --> 00:55:51,039 Revolucija kao blizu ruba i 770 00:55:51,039 --> 00:55:52,920 drugi klasični prog rock albumi grupe 771 00:55:52,920 --> 00:55:53,839 rano 772 00:55:53,839 --> 00:55:56,559 1970-ih od kojih ću o nekima govoriti u 773 00:55:56,559 --> 00:55:59,000 ovu seriju, ali mislim da ne ide 774 00:55:59,000 --> 00:56:02,400 dogoditi pa ono što ovaj album čini takvim 775 00:56:02,400 --> 00:56:04,680 dobro glazbeno dobro to je teško za reći 776 00:56:04,680 --> 00:56:07,680 riječima moj početni odgovor je da 777 00:56:07,680 --> 00:56:10,039 za ovaj album da imao baš ono pravo 778 00:56:10,039 --> 00:56:14,160 kombinacija melodija ritmova rifova 779 00:56:14,160 --> 00:56:17,480 zvučni pejzaži zapanjujuće muziciranje 780 00:56:17,480 --> 00:56:19,960 kreativnost i strukture pjesama sa 781 00:56:19,960 --> 00:56:22,559 glazba koja to nije ponavljala samo 782 00:56:22,559 --> 00:56:26,559 sve je teklo savršeno i jednostavno ima 783 00:56:26,559 --> 00:56:30,319 iskra ovog albuma je High iz 1972 784 00:56:30,319 --> 00:56:33,359 Vodeni znak žanra i bio je možda 785 00:56:33,359 --> 00:56:36,319 da je najbolji sat koji je Bru pronašao blizu 786 00:56:36,319 --> 00:56:38,480 rub a posebno težak 787 00:56:38,480 --> 00:56:41,119 iskustvo pisanja i snimanja poziva 788 00:56:41,119 --> 00:56:44,240 proces mukotrpan i Nevjerojatno 789 00:56:44,240 --> 00:56:47,000 neugodno Squireovo kašnjenje bilo je 790 00:56:47,000 --> 00:56:49,359 pitanje ali nakon snimanja pet Studio 791 00:56:49,359 --> 00:56:51,359 albuma s bendom koji počinje s 792 00:56:51,359 --> 00:56:55,039 njihov istoimeni prvijenac Bruford iz 1969 793 00:56:55,039 --> 00:56:57,160 osjećao da ima napredak ostalo što se tiče 794 00:56:57,160 --> 00:57:00,079 mogao je s da tako svjetlucavim 795 00:57:00,079 --> 00:57:01,839 Trijumf je bio blizu ruba 796 00:57:01,839 --> 00:57:04,319 donekle okaljana za mnoge od nas 797 00:57:04,319 --> 00:57:06,839 Brufordova odluka da ode i pridruži se 798 00:57:06,839 --> 00:57:10,039 što bi postalo L jezici u aspiku 799 00:57:10,039 --> 00:57:14,400 postava King Crimson bruford je tako rekao 800 00:57:14,400 --> 00:57:16,319 tada sam znao da mi treba dašak svježine 801 00:57:16,319 --> 00:57:19,240 zrak i napustio grupu koju je Bruford pronašao 802 00:57:19,240 --> 00:57:20,920 King Crimson privlačan jer oni 803 00:57:20,920 --> 00:57:22,599 bili otvoreniji prema 804 00:57:22,599 --> 00:57:26,240 improvizacija Bruford je rekao iznenadi nas 805 00:57:26,240 --> 00:57:29,640 samo naprijed improvizirajmo 806 00:57:29,640 --> 00:57:32,359 terrific po savjetovanju yes of his 807 00:57:32,359 --> 00:57:35,280 namjeru da napusti bend Bruford je rekao 808 00:57:35,280 --> 00:57:37,280 Bio sam strahovito polaskan i 809 00:57:37,280 --> 00:57:39,880 zadovoljan što su htjeli da ostanem 810 00:57:39,880 --> 00:57:41,960 ali s druge strane John je razumio 811 00:57:41,960 --> 00:57:44,039 točno ljudi moraju učiniti ono što žele 812 00:57:44,039 --> 00:57:47,280 morati učiniti uzeo je umjetničku crtu 813 00:57:47,280 --> 00:57:50,240 što je bilo vrlo slatko od njega, morate učiniti 814 00:57:50,240 --> 00:57:53,240 što moraš učiniti, svi smo jako tužni 815 00:57:53,240 --> 00:57:55,960 bilo je fantastično, ali ako morate učiniti 816 00:57:55,960 --> 00:57:56,760 ovo 817 00:57:56,760 --> 00:57:59,520 onda samo naprijed Bruford je također odlazio 818 00:57:59,520 --> 00:58:02,079 bend na svom kreativnom vrhuncu koji sam 819 00:58:02,079 --> 00:58:04,000 mislim da je bilo podebljano 820 00:58:04,000 --> 00:58:07,039 potez njegova zamjena bio je Alan White koji je 821 00:58:07,039 --> 00:58:09,079 bio dio plastike Johna Lenjina 822 00:58:09,079 --> 00:58:12,599 Ono band bijeli je dobio otkazni rok od 3 dana 823 00:58:12,599 --> 00:58:14,599 ponude i imao je samo jedan pun 824 00:58:14,599 --> 00:58:16,799 proba s bendom prije 825 00:58:16,799 --> 00:58:20,280 turneja počinje 30. srpnja 826 00:58:20,280 --> 00:58:22,599 1972. kako je rekao sljedeće o 827 00:58:22,599 --> 00:58:24,920 brufordovo bubnjanje nije imao dva 828 00:58:24,920 --> 00:58:28,920 bas bubnjeve i šest rototoma i tako on 829 00:58:28,920 --> 00:58:31,760 imao osnovni komplet ali stvar je bila u tome 830 00:58:31,760 --> 00:58:34,640 bila njegova umjetnost osnovni komplet je sve vas 831 00:58:34,640 --> 00:58:36,599 potreba i on je to učinio u a 832 00:58:36,599 --> 00:58:38,559 divan način jer nije vidio 833 00:58:38,559 --> 00:58:42,200 sebe kao rock bubnjara toliko njegov 834 00:58:42,200 --> 00:58:44,559 bubnjanje je neobično kako zvuči 835 00:58:44,559 --> 00:58:46,760 ravno 44 ali slušajte kako on 836 00:58:46,760 --> 00:58:50,359 dodaje onu dodatnu zamku koja je Billova 837 00:58:50,359 --> 00:58:53,400 genije pa je ovo moj pogled na close the 838 00:58:53,400 --> 00:58:55,760 edge Stvarno sam uživao predstavljajući ovo 839 00:58:55,760 --> 00:58:58,400 video na ovom fantastičnom albumu i nadam se 840 00:58:58,400 --> 00:59:00,799 i ti si uživao gledajući to moje ime 841 00:59:00,799 --> 00:59:02,680 je Tom i veselim se što ćemo te vidjeti 842 00:59:02,680 --> 00:59:04,960 sljedeći 843 00:59:09,250 --> 00:59:11,880 [Glazba] 844 00:59:11,880 --> 00:59:14,880 vremena 845 00:59:15,079 --> 00:59:21,319 C i dolazimo do našeg m između 846 00:59:21,319 --> 00:59:26,200 blizu ruba 847 00:59:26,210 --> 00:59:28,079 [Glazba] 848 00:59:28,079 --> 00:59:30,280 the 849 00:59:31,720 --> 00:59:34,720 kraj 850 00:59:35,319 --> 00:59:37,599 Isuse 851 00:59:37,599 --> 00:59:41,799 pada SE 852 00:59:44,610 --> 00:59:45,030 [Glazba] 853 00:59:45,030 --> 00:59:53,280 [pljesak] 854 00:59:55,480 --> 00:59:55,990 [Glazba] 855 00:59:55,990 --> 00:59:58,079 [pljesak] 856 00:59:58,079 --> 00:59:58,890 ja 857 00:59:58,890 --> 01:00:00,319 [pljesak] 858 01:00:00,319 --> 01:00:04,319 dobiti ja 859 01:00:08,170 --> 01:00:11,889 [pljesak] 860 01:00:13,100 --> 01:00:17,000 [Glazba] 861 01:00:21,700 --> 01:00:26,860 [Glazba] 862 01:00:30,720 --> 01:00:33,820 [Glazba] 863 01:00:34,119 --> 01:00:37,119 h